Field Notes - Why I was there

Slaughter Pen Farm -

Fredericksburg Battlefield


Field Note 01


December 13, 1862 turned this farm into a name nobody wanted. I go back for the light that arrives anyway.


People who know Fredericksburg know Marye’s Heights. The stone wall. The sunken road. The long afternoon of men walking uphill into a fact they could not talk out of existence. That story is true. It is also incomplete.About five miles south, on the same day, the Union plan tried to break the Confederate line at Prospect Hill. The ground in between was a farm.


By night it had another name. Survivors called it the Slaughter Pen. Before the fighting ended, thousands of men had fallen on this comparatively quiet-looking acreage. Historians still argue, usefully, that this was the point where the battle was won and lost — the “true battle for Fredericksburg,” if you are willing to leave the famous wall for a morning.I am willing.I made this photograph at dawn, when the farmhouse that later stood on the place was still holding the first light.


That house did not see 1862. The field did. In the years after I released this image, preservation work on the property kept going the last hard mile: the modern building came down so the landscape could look more like itself again. I do not mourn a postwar farmhouse the way I mourn a lost ridge. I am glad the ground is being asked to remember the right century. I am also glad I was there when the roof still caught the sun. Photographs are like that. They keep a version of a place that the place itself is not required to keep.


What I want you to see is not nostalgia. It is weather on contested dirt.Dawn does not rehabilitate December 13. It does not soften the name. It does something more honest. It shows you that the field is still a field. Grass. Fence line. A building, or the absence of a building.


A sky that does not take sides. If you stand there long enough, the horror and the ordinary morning occupy the same viewfinder, which is the whole problem and the whole point of photographing battlefields.


Slaughter Pen Farm was not saved by accident. It took years, money, patience, and people who thought 208 acres of “someone else’s farm” were worth the fight. I photograph it because the light is good and because the alternative is that we only remember the postcard version of Fredericksburg.The armies left. The dawn did not.



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[Dawn, Slaughter Pen Farm — archival print]Field Note 02





Fairview -

Chancellorsville Battlefield


Field Note 02


Fairview · Chancellorsville Battlefield

Spotsylvania County, Virginia The grass is doing the remembering. The iron is only keeping watch.At Fairview the line still faces the same woods it faced on the morning of May 3, 1863. Four tubes, black and quiet, sit in the last good light as if the battery never limbered up. Dew holds on the blades. The trees behind them have closed back in. Nothing in the frame is shouting. That is the point.Fairview was the high ground Hooker’s guns used to hold the Union center after the wreck of the previous night. Jackson had already been carried off the field to the west. What was left of the Federal line drew itself up here and spent the morning in a conversation of metal. The ground in front of these pieces was a killing slope. Men crossed it in smoke so thick the guns were fired by sound and habit. By afternoon the position had been given up. The army fell back toward the river. The field kept the iron.I come here when the sun is low enough to pick out the spokes and leave the timber in shadow. The photograph is not a reenactment. The carriages are park pieces. The grass is this year’s grass. What is true is the alignment: a battery still looking into the dark, the same direction the fire went. History on this ground is not a plaque. It is a row of mouths pointed at a wall of trees.If you stand just off the mowed edge you can hear traffic on the modern road and still feel the slope fall away toward the woods. That double life is what I am after. The battlefield is a park. It is also a place where a morning’s work decided who slept on which side of the Rappahannock.The print

Fairview Battery, Chancellorsville

Morning light on the guns, woods held in shadow.


A portion of each print goes to the work....  






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Meet Our Team

Bella Roswald


VIDEOGRAPHER


Known for his attention to detail and ability to create visually stunning compositions, Bella has worked on a wide range of projects, including weddings, music videos, corporate events, and short films. Her versatile skill set allows her to adapt to various environments and effectively collaborate with clients to bring their visions to life.

John Smith


VIDEOGRAPHER


John Smith is a passionate videographer with a keen eye for capturing captivating moments. With over five years of experience in the industry, John has developed a unique storytelling style that beautifully combines creativity and technical expertise.

New Section Coming Soon - Fall 2026!!

September 2026 Highlight


Dawn over the old farmhouse on the Slaughter Pen Farm battlefield, part of the Battle of Fredericksburg in December of 1862.




August 2026 Highlight


Fort Fisher in Wilmington, NC.



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